Donerail's Official Website — Portland Band

The lineup for southern California’s inexplicably located rock festival was recently announced, and I think that both the organizers of Coachella and the LA Times writers must be nearly 80 years old. The Times claims that organizer, Gary Bongiovanni has tried to attract a younger audience for this year’s festival by building a package “around Pavement, Public Image Ltd.”

Wow

I didn’t know that a band started in 1978, with a 53 year old lead singer would bring a bunch of spoiled indie/emo kids from southern California out of the woodwork. Maybe Pavement has the ability to allure the perfect youth audience. You know the kids we’re talking about, those born the same year that Pavement started their career.

So, that takes care of a couple of the big names, surely the youth can be found elsewhere. Let’s see what the Times said

The Coachella Valley Music & Arts Festival will bring a youth movement to the low desert this year. After several years of graybeard headliners, California’s signature festival is going back to the future with younger acts including Gorillaz, Muse, Jay-Z, Thom Yorke

Blerg

While it’s true that Jay-Z (40) and the Gorrillaz (band created last century) led by Damon Albarn (41) have large youthful followings, I’d argue that they still have a fair share of mid-30s and hip 40 year old fans. Muse has been blowing up of late, but it’s amazing to me how few people knew about them 5 years ago, when they were 15 years into their careers. Hey, look at that, Muse has been around as long as the youngest member of the Coachella demographic, while Pavement has been around as long as the eldest.

It gets worse from there folks, Thom Yorke ???? (41), Faith No More (started in 1981), Them Crooked Vultures (featuring the reanimated John Paul Jones at 64)…where is this supposed youth?!

Now, before we get all up in my business about ragging on the old folks, let’s take a step back. Am I saying that none of these acts deserve to play Coachella? No. They all do, and frankly I’m thrilled that this time around Muse will get some attention. I was at Coachella in 2004, and they were given a mid-afternoon slot that attracted only their hardcore audience of kids that bought from the import shop. I’m glad that Paul McCartney isn’t the headliner this year. I’m glad that Pavement is playing. I’m not jaded.

However

I do think that using “youth” as the story here is blatant manipulation. None of these acts are “youth.” MGMT, they’re young; and shit, they’re popular too. That’s the angle the Times and Coachella should have taken instead of trying to lie to us about middle-aged rockers being appealing to the “youth.”

As I sit at my desk mixing some of the tracks for our next set of releases, I become wistful looking out over the snow covered gables on the houses across the street from me. I’m adjusting my ears to The Mountain by the Heartless Bastards (get it if you haven’t already), and getting ready to go through one of Jake’s new songs. This would be song 25 in the endless canon of Jake’s song book. It made me think, as we enter into Donerail’s 5th year as a band (give or take, no one remembers when we actually formed…which is sad when you think about it, because it was just Dan and I at first), what has happened over the last year.

Cities Played: Seattle, Tacoma, Olympia, Portland, Eugene, Bend, Klamath Falls, Beaverton, West Seattle

Total Miles Traveled: at least 1,840…probably more like 2,500

Online Visitors: 2,318

Countries Visiting us Online: 34 (United States, Canada, Australia, Finland, Brazil, United Kingdom, Germany, Ireland, Philippines, India, Netherlands, Italy, Singapore, China, Thailand, Czech Republic, Guernsey, France, Mexico, Japan, Ukraine, Argentina, Malaysia, Switzerland, Russia, Belgium, Belarus, Bangladesh, Bulgaria, South Korea, Estonia, Cyprus, Austria, Denmark)

Songs Written: 15

Covers Played: Up Around the Bend, Powderfinger, Mother, Solitary Man, 14 Cheerleader Coldfront, St. James Infirmary Blues, Thirteen, …One More Time, Babe Let me Follow You Down, Serve the Servants, Down by the River, Left of the Dial, Helpless, The Weight, Handle Me With Care, Gun, No Depression, The Night They Drove Ol’ Dixie Down, and countless drunken others.

# of Shows: ~20 (can’t remember ‘em all)

Most Played Song: Some Ending

Most Played Cover: Left of the Dial

Least Played Song: (4 years running) Vicodin Dreams

New Fans: 30

CDs Sold: not enough Buy from iTunes or CDBaby

Have a great end to your 2009! We look forward to seeing you next year, come out and say hi.

Well, well, well. Another year, another Christmas. Tis the season for overeating, fat men in red suits, overbearing relatives, more overeating and overspending. Tis also the season of the Christmas song. (duh. Guess who’s brilliant…this guy over here…me. I tend to have a nose for spotting the obvious) Every year at this time radio stations are hi-jacked by singing chipmunks and dogs barking jingle bells, while it seems that every artist and his/her brother/sister are releasing albums of often sugary feel good Christmas music (99% of which are not even remotely close to being good). This got us over at Camp Donerail thinking, what are our favorite Christmas songs? We’re guessing that you’ve undoubtedly been bombarded with Christmas music since about June, so you won’t see a bunch of traditional carols, cheezy 50’s/60’s holiday pop, or anything by Mannheim Steamroller. We’ll try to keep this entertaining. Without further ado:

10 -“Merry Christmas (I Don’t Want To Fight Tonight)” – The Ramones

Peace and love the Ramones way… begging for it in a poppy surf punk song. Added bonus.

9 – “Twelve Days Of Christmas” – Bob Denver And The Muppets.

It’s The Muppets. Enough said. Oh yeah, there’s some hippie named Denver in there too. Is there anyone in their late 20’s early 30’s that didn’t have this record growing up? Pure genius. From Fozzie forgetting his lines (the best part is when he looks of at Bob Denver and cluelessly asks “…what?”) to Miss Piggy showboating (Ba-dum-dum-dum). Ah Christmas…what would you be with out muppets?

8 – “Santa Claus And His Old Lady” – Cheech And Chong

7 – “You’re a Mean One (Mr. Grinch)” – Thurl Ravenscroft.

6 – “Blue Chistmas” – Elvis Presley.

Even though I can’t help but think of Porky Pig’s version everytime I hear this, The King makes the cut. I will give him one thing, Elvis does inject a little bit of soul into this song, and how can you not sing along with the background singers? (Ah-Whoo-ah-oooo-oooo)

5 – “Christmas In Hollis” – Run DMC.

From the King of Rock, to the Kings of Rap. Run DMC spins a modern day Christmas yarn of the Holidays in Queens. My one question is, why does Santa have a pit bull pulling his sleigh?

4 – “Must Be Santa” – Bob Dylan. Okay, this is a bit of a new one, at least this version (shit, I didn’t realize it, but a lot of artists have covered this, including Skerik and Raffi). I’ll admit when I heard that Bob Dylan was releasing a Christmas album, I was aghast! WTF? Christmas albums routinely turn out nothing short of deplorable, and can seriously tarnish and otherwise great career, I don’t care if you are Bob Dylan. (Just look what happened to the Rev. Horton Heat…wait…) Then I saw this video. In the grand scheme of things, there’s nothing overly special about this song, except for the fact that it reminds me of The International Friendship Song. The thing I love about this version is it seems to have a quality that reminds me of more of a drunken stumble. A big part of it is the imagery in the video: the setting, the lighting, this impromptu fight/chase scene, even Bob’s creepy wigs (at least I think those are wigs…theres’s no way those aren’t wigs) and the special looking cross-eyed drummer.

3 – “Senor Santa Claus” – Jim Reeves. Growing up, there were a lot of intrestesting, and at times bizarre, Christmas songs swirling around the home on Christmas morning. From Polka, to country to folk, to traditional, I think this one by “Gentleman Jim” may be near the top of my list of all time favorites, even with his bad attempt (possibly borderline offensive, depending how well you can take a joke) at a broken Hispanic/English accent. I can’t tell you why I like this song so much. I think a big part of it is that is brings back warm memories of childhood Christmases. Presents, fuzzy Snoopy pajamas, mom bustling around making sure we’re all happy and comfortable, and my dad playing The Jim Reeves Christmas record(s) on the stereo. (please excuse the cheesy video. It isn’t my doing)

2 – “Happy Christmas (War Is Over) – John Lennon.

Instant Classic by a great artist/peace activist/person. I don’t know how anyone cannot like this song, regardless if they like John Lennon, Yoko Ono, The Beatles, the sounds of kids singing, the idea of peace, or the concept of humans being rational beings or not. This is a modern view of what is supposed to be the Christmas Spirit: Peace on Earth, Goodwill toward men (read: human kind which includes male and female…just in case anyone was confused.)

1 – “Father Christmas” – The Kinks. This is where I should insert “Merry Christmas” By Donerail, but that would be shameless self promotion (psst…you can find “Merry Christmas” on Destiny & Dishonor – available on iTunes) As far back as I can remember, I have loved this song, with it’s “anti-over consumption while there are needy people”  agenda (Just for the record, I don’t necessarily disagree with it) and it’s “hidden” Christmas cheer. . I’ve eagerly awaited this song arrival on the airways every year since I was about 8 or 9 nine. I think it was probably the first time I had heard anything that was even close to being punk rock. Maybe I liked it because I thought it was silly, I don’t remember. I just know it always brought me joy, and I liked it! In Fact, I still do. (Pardon the fuzzy video.)

Happy Holidays From Donerail!

Back in September 2009, Donerail got together with Mr. James Dineen and Mr. Jimmy Jazz Prescott at Jambox Studios, in Southeast Portland, to record a podcast for the Sessions From The Box website. We recorded a few songs and sat down for a conversation with Mr. Dineen, in front of the mic and on record.

“Sessions From the Box features intimate performances and interviews from up and coming and established artists”, and we were tickled to be asked to participate. It’s pretty exciting to be in the same company as artists like Erin McKeown, The Crosswalks, The Hydropods, and Gliss. Said podcast is now up on on the Sessions website and can also be found on iTunes. Go ahead, pop in and have a listen!

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Sessions From The Box – Donerail

Donerail...as a Cartoon Artwork by Emily Block.

I guess you could say that Donerail said goodbye to aught nine in grand fashion, figuratively…not literally. If you’ve ever been to Langano Lounge, you’ll know what I mean. This is a small basement lounge, located under an Ethiopian restaurant on the city’s SE side. Even though it not a big venue, I don’t think you could call it cramped. Cozy…intimate…I think that these would be better descriptors.  I think it was Duncan that described it as “feeling like you’re hanging out in your parents basement”, after they let you fix it up with old Christmas lights, rugs, rock posters and beanbag chairs. Another great thing about a place like Langano is that the crowd never seems small, especially when the crowd is filled with old friends, which come to think of it, made it feel even more like your parents basement. “Dude, my parents are out of town for the weekend! I’m having a kegger and my band is gonna play!”

We were able to squeeze all of the momentum from  the last month and a half of live shows into a 2 1/2 to 3 hour period and all-in-all, this was just a really fun and relaxed (but energetic) show, comprised of a mix of of covers and Donerail originals that that garnered the best reaction over the past 4 shows. It was almost like a live greatest hits album, just not one made for housewives and little girls. On second thought, I guess you can say that we did end 2009 in grand fashion…literally.

Highlights:

• Handle With Care: Dude, it’s the Traveling Wilburys. Of course it’s a highlight, especially because Duncan sings a bulk of the song and drums. Phoo!
• Push It: An impromptu, and really brief, lighthearted moment while tuning. Non stop entertainment. Don’t judge…you know you like Salt ‘N Pepa. Salt salt salt salt salt salt ‘N Pepa’s here…
• Talk 2 Me: It’s okay, It’s okay.

Next Stop: 2010 – Donerail will be taking the month of December to work on recording some of our newer material and set up some live shows for the first part of the year. Stay tuned!

A couple things happened on our trip to Klamath Falls  that I thought were pretty cool. 1) I realized that yes, I miss snow. Call me crazy, but snow is awesome! If it had been treacherous going through the Willamette Pass, I may be singing a different tune, but it wasn’t so I’m not… yay snow! 2) I got to learn something interesting about the venue that we played Saturday night. As it turns out, Waldo’s dates back to the early 1900’s and used to be the Waldorf hotel. Supposedly, During the prohibition era The Waldorf flipped the government the ol’ middle finger and ran a speakeasy in a secret room about where the stage currently sits. Now, I don’t really know if any of that is true, but they had the original bar, liquor cabinets, and really old vending machines for candy and cigarettes so I’m inclined to believe them, especially since it made the trip that much more interesting.

Duncan and I hit town pretty early. Anticipating nasty weather through the pass, we loaded up and headed out of Portland pretty early. We ended up at Waldo’s about4 hours before we needed to load in and 6 before we were scheduled to go on. You can accused Donerail of being a lot of things, but not being punctual is not one of them. Ridiculous. I wish I could say that this was the worst thing to happen, but it was about to get a little worse before it got better. Don’t worry, there’s a happy ending to the story and at least everyone, and all the gear made it to the show.

Despite our sound board not being compatible with out the adapter that we forgot at home and then only having one vocal speaker, we finally got the show on the road and things went pretty well.  I’ll admit that we all started to get a wee bit nervous after people kept walking in and then out after a couple minutes, but we realized that part of it was that you could hear us fine in the main bar and it was enough to get people to interrupt their dinner to quench their curiosity.  It’s a good thing that we saved our best for the 2nd set. The rest of the went about as flawless as we could have hoped and the crowd’s energy was contagious. By the end of the night, I kinda sounded like Cookie Monster, and I was an exhausted and sweaty mess, but definitely satisfied and glad I made the trip.

Another thing that I learned is that people in Klamath Falls (at least the people that were at Waldo’s Saturday night) sure are a friendly lot. Definitely made 11 hours (round trip) of driving worth it. Thanks to Travis and crew at Waldo’s, and especially Darcy and Trish for putting us up for the night.

Highlights:

• Duncan’s Retort To A Request for Freebird: Concert goer: “PLAAAYYY FREEEEEEEBIIIRD!” – Duncan: “I got free bird for ya right here.”
  Note to concert goers: Please stop requesting Freebird. It really is played out. And no you can not play our instruments so please stop asking.
• Mother – If Jake was 5′0, looked like he ate 5 pounds of steroids and tried to bench press everything in sight, I’d be convinced that he really was Glen Danzig. Especially after hearing him sing Mother. He doesn’t so I know he’s not, but he does a damn good imitation. This is another instant crowd pleaser. It’s kinda like a magic spell…it turns pool cues into guitars just like that!
• The Weight – We ended up inadvertently turn this classic by The Band into a sing along. Anytime a good portion of the crowd sings along, it’s a good sign you’re doing something right.

Next Stop: 11/22/09 Langano Lounge – Portland OR

Donerail’s second album, Destiny And Dishonor, was reviewed recently on Seattle music blog Fensepost.com. You can see it here.

I gotta say, I love road trips and I think I can comfortably speak for the rest of the guys when I say that Donerail loves playing in Seattle, especially at the Skylark Cafe & Club in West Seattle. If you haven’t been to the The Skylark then do yourself a favor and go. It’s a great bar and a great venue. To me, it just oozes rock ‘n roll…in a good way. We made the three hour, blustery and very water logged, trek North to play with two bands that we were excited to play with: Oldman Winter and Static Radio, both hailing from the Seattle Area.

Oldman Winter kicked the night off in grand fashion unleashing a twangy re-verb soaked dirge that just kind of grabbed you and didn’t let go. You knew some sort of emotional explosion was going to happen and some point, but when was unclear. I love it when a band ups the ante with suspense and keeps bringing you to the edge of your seat with anticipation that builds with every swell and crescendo, only to pull back to leave you wondering and wanting. They finally let the crowd have it about 4 songs in and smacked us upside the head with the upbeat Winder Ups. After that, you couldn’t help but be hooked.

Donerail took the stage next and we really didn’t waste any time, kicking off (and setting the tone for the rest of the set) with a blistering version of Bozeman. I don’t remember a night where we played as aggressive and up tempo as we played that night. I don’t know if we necessarily played with a swagger, but there definitely was a sneer. Maybe it was the wind and rain. Maybe it was JP almost getting washed off I-5. Maybe we were that excited to be back in Seattle. Our mellow songs ended up a little fast and our up tempo songs just got faster. Looking out and seeing smiles, heads bobbing and random people throwing the “hoodlum horns”, I couldn’t help but smile and play that much harder. We played roughly a 45 min set and played mainly newer material, but we did include a few favorites.

Static Radio ended the night on a happy note with swirling pop rhythms and harmonies that made it apparent of their love for The Beatles. They even treated us to a cover of an early song by the Fab Four. The Seattle trio capped of an already awesome night by keeping everyone’s head’s bobbing.

Highlights:

• Talk 2 Me – It really doesn’t matter where we go, this song (off the My Friend The Bear EP) never fails to be a crowd favorite. Seattle was not an exception. My voice checked out after this song and still hasn’t come back.
• ViceCop – One of the most physically painful songs to play in our catalog. We dedicated it to our good friend Tara as a birthday wish and then whipped an excited crowd into a frenzy!
• Left Of The Dial – Playing a Replacements cover has never been so fun. Turned out that this is one of Brent from Oldman Winter’s favorite Replacement songs. In one of the more rock ‘n roll moments of the evening, he agreed to jump up on stage and lend a hand singing. As Duncan stated on the drive back, I thought the roof was gonna come off the joint.

Next Stop: November 14th – Waldo’s  in Klamath Falls OR

-Dan

Donerail descended on fair Beaverton, OR for our second appearance at The Tillicum Club. Once again, we were the only band on the bill, which allowed us  about 3 hours to spread our proverbial wings and explore, not only what directions we could take with our own music, but we were able to test drive some new covers and take a second look at showcasing some individual talent within the band.

Even though we were missing some of our favorite friends, we were happy to entertain a pretty good crowd that contained some very unexpected new fans.

Highlights:

• Duncan’s performance of St. James Infirmary … or Gambler’s Blues – Great old traditional song. Leave it to Dunc to bust out an old timey gem!
• JP’s performance of Thirteen – JP channels Big Star is this tender ballad. No, seriously…tender. Alex Chilton would have been proud.
• Jake’s performance of 14 Cheerleader Coldfront - Jake doing his best Robert Pollard, minus getting butt-ass drunk and throwing awkward high leg kicks.
• A mostly acoustic version of Portland – Slightly different, and much tighter than on the first Donerail album: Disconnected.

I believe it’s spelled representation